On Record: Rock, Pop and the Written Word

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On Record: Rock, Pop and the Written...

On Record: Rock, Pop and the Written Word

Simon Frith, Andrew Goodwin

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როგორ მოგეწონათ ეს წიგნი?

როგორი ხარისხისაა ეს ფაილი?

ჩატვირთეთ, ხარისხის შესაფასებლად

როგორი ხარისხისაა ჩატვირთული ფაილი?

კატეგორია:

Arts - Music
Society, Politics & Philosophy - Sociology

წელი:

1990

გამომცემლობა:

Routledge

ენა:

english

გვერდები:

435

ISBN 10:

0415053056

ISBN 13:

9780415053051

ფაილი:

PDF, 2.25 MB

IPFS:

,

english, 1990

ონლაინ წაკითხვა

ჩატვირთვა (pdf, 2.25 MB)

ხორციელდება კონვერტაციის -ში

კონვერტაციის -ში ვერ მოხერხდა

შესაძლოა დაგაინტერესოთ

David Freeland — Baker's Biographical Dictionary of Popular Musicians Since 1990 (2 vols)

Harris M. Berger — Metal, rock, and jazz: perception and the phenomenology of musical experience

Pascal Bussy — Kraftwerk: Man, Machine and Music

Edward Macan — Rocking the Classics: English Progressive Rock and the Counterculture

Nicholas Cook, Mark Everist (eds.) — Rethinking Music

Jeremy Gilbert — Discographies: Dance Music Culture and the Politics of Sound

Angela McRobbie — Postmodernism and Popular Culture

Roy Shuker — Understanding Popular Music, Second Edition

Dick Hebdige. — Subculture : the meaning of style

Roy Shuker — Understanding Popular Music, First Edition

Richard Middleton — Voicing the Popular: On the Subjects of Popular Music

Simon Frith, Andrew Goodwin, Lawrence Grossberg — Sound and Vision : The Music Video Reader

Carol Vernallis — Experiencing Music Video: Aesthetics and Cultural Context

Jason Toynbee — Making Popular Music: Musicians, Creativity and Institutions

Tim Wall — Studying Popular Music Culture

David Hesmondhakgh, Keith Negus — Popular Music Studies

Tony Bennett, Simon Frith, Larry Grossberg, John Shepherd, Graeme Turner — Rock and Popular Music: Politics, Policies, Institutions

Keith Negus — Music Genres and Corporate Cultures.

Roy Shuker — Popular Music: The Key Concepts (Routledge Key Guides)

Mark Duffett (editor) — Popular Music Fandom: Identities, Roles and Practices (Routledge Studies in Popular Music)

Martin Clayton, Trevor Herbert, Richard Middleton — The Cultural Study of Music: A Critical Introduction

Simon Reynolds — Generation Ecstasy: Into the World of Techno and Rave Culture

Joseph A. Kotarba, Phillip Vannini — Understanding Society Through Popular Music

Freya Jarman-Ivens — Oh Boy!: Masculinities and Popular Music

Philip Auslander — Performing Glam Rock: Gender and Theatricality in Popular Music

Mimi Haddon — What Is Post-Punk?: Genre and Identity in Avant-Garde Popular Music, 1977-82

Allan F. Moore — Analyzing Popular Music

Mark Katz — Capturing sound : how technology has changed music

Simon Frith, Will Straw, John Street — The Cambridge Companion to Pop and Rock (Cambridge Companions to Music)

Tia DeNora — Music in Everyday Life

Frith, Simon — Performing Rites: On the Value of Popular Music

Fredric Dannen — Hit men: power brokers and fast money inside the music business

Simon Frith — World Music, Politics, and Social Change: Papers from the International Association for the Study of Popular Music (Manchester New German Texts)

Simon Frith — Taking Popular Music Seriously: Selected Essays

Larry Birnbaum — Before Elvis: The Prehistory of Rock 'n' Roll

Andrew Goodwin — Dancing in the Distraction Factory: Music Television and Popular Culture

Susan Mcclary — Feminine Endings: Music, Gender, and Sexuality

Robert Walser — Running with the Devil: Power, Gender, and Madness in Heavy Metal Music

Stuart Hall; Paddy Whannel; Richard Dyer — The Popular Arts

Paul Hegarty, Martin Halliwell — Beyond and Before: Progressive Rock Since the 1960's

Andy Bennett, Richard A. Peterson — Music Scenes: Local, Translocal, and Virtual

Frith, Simon;Payne, Michael — A dictionary of cultural and critical theory

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